Mike Pucher

Digital Darkroom features the work of 17 artists from around the world who explore the intersection of art and technology.

Stanley Smith has exhibited his work widely in galleries and museums all over the United States, most recently in the 2008 exhibition Smoke and Mirrors at the Seattle Art Museum and in 2009 at the University Art Gallery at Cal Poly in San Luis Obispo.

Photographer Claudia Kunin launched her career in 1976 when she was first published in Rolling Stone magazine.

As a former advertising photographer, and one of the first users of numerical assembly in photography, Jean-François Rauzier created the concept of “hyperphoto,” a term that essentially means putting together many high resolution images into a collage.

In 1985, Josef Astor opened his studio in Carnegie Hall and launched his theatrically staged, historically informed photography.

Brooke Shaden began to create self-portraits for ease and to have full control over images and has since grown into a self-portrait artist.

Joel Grimes has been working as a commercial advertising photographer for nearly 30 years.

Ted Grudowski has been working with 3D photography for nearly 25 years.

Bonny Pierce Lhotka has made a name for herself by printing her compelling work on extraordinary surfaces, from glass to acrylic to aluminum, and even on more experimental surfaces such as drywall, bamboo and rusty tin.

Chris Levine is a light artist who works across many mediums in pursuit of sensory experience through image and form.

Jean-Marie Vives was one of the first matte painters for films in France, working on acclaimed movies by Alain Resnais and Jean-Pierre Jeunet.

Jerry Uelsmann received a Guggenheim Fellowship in 1967 and a National Endowment for the Arts Fellowship in 1972.

Khuong Nguyen comes from the demanding world of French advertising photography.

Maggie Taylor became a towering figure in photography in the 1990s when she learned Photoshop and began creating her unmistakable artistic fingerprint.